diff --git a/_layouts/post.html b/_layouts/post.html index 404b388..a57027e 100644 --- a/_layouts/post.html +++ b/_layouts/post.html @@ -110,8 +110,7 @@

target="_blank" rel="noopener noreferrer"> Bluesky - + alt="Bluesky"> diff --git a/_posts/2020-06-21-ecmlpkdd-salha.md b/_posts/2020-06-21-ecmlpkdd-salha.md index 17076a3..c9539a2 100644 --- a/_posts/2020-06-21-ecmlpkdd-salha.md +++ b/_posts/2020-06-21-ecmlpkdd-salha.md @@ -49,7 +49,7 @@ More precisely, our contribution is threefold: diff --git a/_posts/2020-09-22-recsys-bendada.md b/_posts/2020-09-22-recsys-bendada.md index ad582b1..a2ef129 100644 --- a/_posts/2020-09-22-recsys-bendada.md +++ b/_posts/2020-09-22-recsys-bendada.md @@ -28,7 +28,7 @@ promising research on these aspects to industrial-level applications. In particular, many global mobile apps and websites, notably from the music streaming industry, currently leverage swipeable carousels to display recommended content on their homepages. These carousels, -also referred to as sliders or shelves, consist in ranked lists of items or cards (albums, +also referred to as sliders or shelves, consist of ranked lists of items or cards (albums, artists, playlists...). A few cards are initially displayed to the users, who can click on them or swipe on the screen to see some of the additional cards from the carousel. diff --git a/_posts/2022-12-05-ismir-afchar.md b/_posts/2022-12-05-ismir-afchar.md index f1f2178..b01f723 100644 --- a/_posts/2022-12-05-ismir-afchar.md +++ b/_posts/2022-12-05-ismir-afchar.md @@ -36,7 +36,7 @@ Music signals are difficult to interpret from their low-level features, perhaps src="{{ '/static/images/publis/afchar22ismir/spec_2.png' | prepend: site.url }}" alt="Spectrogram explanation"/>
- These two images of a spectrogram and generated explanation were shamefully stolen from "Two-level Explanations in Music Emotion Recognition" V. Praher et al (2019) for demonstration purpose. + These two images of a spectrogram and generated explanation were shamefully stolen from "Two-level Explanations in Music Emotion Recognition" V. Praher et al (2019) for demonstration purposes.